Lori Nozick

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Announcement: Art Fair

Masts and Anchors<br>La Coyotera Taller Estudio, Mexico<br>anchors: 4ft x 3ft x 8in<br>total size 18ft x 14ft x 9ft

Sea and Sky<br/>KeysArts Art in Public Places<br/>Islamorada Florida<br/>Patinaed Steel panels<br/>84in x 43in each

Sal Non Sal<br>nautical map, graphite, watercolor, and photo collage<br>48in x 36in

Sal Non Sal<br>Key West, Florida<br>salt bricks, mortar from seawater and fine salt<br>9ft x 17ft x 14ft

Miami Lighthouse<br>SCOPE Art Fair 2012<br>16ft x 14ft x 16ft

Blue and Green Wall<br>reclaimed lumber, color acrylic panel<br>4ft x 8ft x 8in

Shafts of Light<br>acrylic, magazine print<br>9in x 10in

Map of Architecture<br>nautical map, charcoal, magazine print<br>12in x 19in

Straits of Georgia<br>nautical map, oil stick, watercolor<br>36in x 46in

Ever Glades<br>patinaed steel collage<br>4ft X 5ft

My art references architectural, social and environmental changes. Perspective is constantly shifting and dislocation is a universal predicament. Place or site function as a repository of individual and collective moments and history, forming a visceral and sometimes physical bridge in a blending of numerous time-frames, real and imagined.

The archetypal images become a visual and physical language, markers of visual memory through which I explore our relationship to private and public spaces, community and nature, in an immediate sense and throughout time. Drawing from areas as diverse as archeology, environment, landscape, cultural and scientific conditions, my work examines ongoing cycles of disintegration and cohesion.

—Lori Nozick, 2021